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Her art is neither
pastiche nor ironic comment, for her artworks and actions express
the spirit of the tradition while at the same time allowing her to
comment on current cultural, political and ecological issues.
Much of Ross's
work reminds me of poetry (which she also writes), and specially of
Welsh poetry. In both there is a sense of living in two worlds, one
a hidden, almost submerged culture, out of the fusion of which a new
understanding begins to emerge.
Iwan Bala, Where Many
Worlds Fit, Planet, Cardiff, 2005
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 |
|
2025 |
Xiao Lu: talking about China and
feminist art / Elizabeth Ross 2018.
The
bald girls.com |
|
2024 |
Espere a ser atendido, sobre la
exposición de la artista costarricense
MatKar.Revista
Ilaciones. Tercera edición: Erotismo:
Deseo y polisemia. 18.06.2024
AGUA-SHUI-ATL-WASSER-DWR-ITSї-ACQUA
¿SAGRADA?
Revista
Ilaciones, Primera edición: La
percepción de lo sagrado en las
sociedades contemporáneas. 23.02.2024 |
|
2023 |
Un acercamiento al discurso sobre
violencia gineco-obstétrica en la obra
deZhou Wenjing.
Estudios del Discurso 9.2, Universidad
Autónoma del Estado de Morelos,
2023:121-131.
Xiao Lu: Hablando de China y arte
feminista.
Arte, género y representación /
Susana Gutiérrez-Portillo, Martha
Patricia Medellín Martínez, Alejandra
Díaz Zepeda, coordinadoras. 1ª ed.
Universidad Autónoma de Baja California
en Mexicali; Universidad Autónoma de
Querétaro, 2022, p. 131-152 |
|
2022 |
La naturaleza del confinamiento:
construyendo redes de comunicación entre
continentes. Inmaculada Abarca y
Elizabeth Ross. RE/DES_CONECTAR. V
Congreso Internacional de Investigación
en Artes Visuales. ANIAV 2022, Editorial
Universitat Politècnica de València,
2022, www.lalibreria.upv.es / Ref.:
6169_01_01_01, Valencia, España, P. 1-9 |
|
2021 |
Renombrar y nombrarse.
for Evocaciones , a show by
collective Habitación Propia.
China, exposición de arte
contemporáneo.
El Rizo Robado No. 14, Abril
Hacer visible lo “invisible”.
La Palabra y el Hombre No. 54, p. 79-80.
Revista de la Universidad Veracruzana
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|
2020 |
Maíz, Mazorcas, Cencalli.
Texts for my exhibition at Museo del
Pueblo de Guanajuato, published
in my blog. |
|
2019 |
México en Hangzhou. China
Hoy
The Mothers of China. An essay
for Faces of
China , a photo book by Liu Fan
Making visible the "invisible"-
for the catalog
Dream Garden, by Liu Fan. Wuhan,
Hubei, China |
|
2018 |
Outside the garden: contemporary
Chinese female artists. Author
published
Stretching time (or how not become
histerical) Catalog
Looking ageing closely through Hysteria!
Discurso Visual Magazine, No. 42,
Cenidiap, Mexico
Ageing pride, Orgullo ruco.
fanzine
Looking at our ageing. Editorials. Hysteria!
Magazine No. 25 |
|
2017 |
Reclaiming the
Ground, in El Quinto Muro
(The Fifth Wall)book by Mario
Palacios Kaim. January 2017 |
|
2016 |
eyeseverywhere|ojosportodoslados 10
años|years |
|
2015 |
Atadura de Años,
selfienovela.
Elizabeth & Alonso Ross.
Self edition.
Female Chinese Artists
Videoart Festival,
Trilingual catalog.
ArtFem.TV,
catalog-memory. Published
by the Digital Cultural Center and Museo
de Mujeres Artistas Mexicanas. |
|
2013 |
Making visible the "invisible"- the
paintings of Liu Fan. Essay for Liu
Fan's Empathy/Illision catalog. Wuhan,
China |
|
2012 |
it doesn't matter if it's
low-tech. A feminist artistic practice.
Revista API, Arte y políticas de
identidad de la Universidad de Murcia.
El arte y la tecnología frente a la
violencia de género, Vol. 6 (2012)
On Residencies. Revista Voycott,
No. 5, Rosario, Argentina |
|
2006 |
Power, Sex and Myth. Sentidos,
Revista de la Facultad de Filosofía de
la Universidad Michoacana, Núm. 16 |
|
2005 |
The Dark Goddess: Mithology and Sex.
del Instituto Michoacano de la Mujer
Morelia 2005 |
|
2004 |
Collaborator for a brief time with
La Jornada Michoacán
Poetry reading at Encuentro de Poetas
del Mundo Latino 2004
Poetry published at Palavreiros, a
literature brasilian website |
|
2003 |
Cuadernos de la Luna
collection, as alternative editorial
project
Cerámica Mexicana, an historical tour.
Kalkspatz e.V Töpferblatt 1-2003,
Alemania |
|
2001-03 |
Publishes about mithology in Acento, a
La Voz de Michoacán magazine |
|
2000 |
Memorias de Toro y Luna, poetry
(unpublished) |
|
1999 |
Monday Words, Reading/axion, El León de
Mecenas. Morelia, MX
Mata Ortíz or the Reinventcion of
ceramics. Revista AdHoc, num 25,
Morelia, MX |
|
1998 |
Alfredo Zalce and visual poetry.
Periódico de Poesía, Nueva Época, No.
16, UNAM/INBA
Three cane, clay and maize; the word, aithor's edition codex. Morelia MX
XII En-Cuento, Reading/axion, La
Librería, Morelia MX |
|
1996 |
Vientos: periodismo cultural en
Morelia. Coordinator. With around 25
performative activities to present the
book around México. |
|
1995 |
Hommage to Sor Juana. Reading/axion,
Centro Cultural Universitario. Instituto
Michoacano de Cultura/Universidad
Michoacana
X En-Cuento, Cultural Journalism round
table. Colegio de San Nicolás. Morelia,
MX |
|
1994-05 |
Creates andy coordinates Vientos de
Cambio
(winds of change), the sunday
cultural magazine of Cambio de
Michoacán newspaper |
|
1993-04 |
Publishes during a year interviews to
known artists and chronicles on the
cultural life in Morelia for Cambio de
Michoacán |
|
1990 |
Translates all known John Lennon lyrics
into spanish |
|
1988 |
Caja de Espejos (mirror box),
unpublished short stories book.
Collective literary workshop. Valle de
Bravo MX
Publishes different stuff for local
newspapers in Valle de Bravo. |
|
|
Publishes articles, transtations and
literature in Ojarasca, la Jornada, La
Jornada Michoacán, Cambio de Michoacán,
la Voz, El Nacional, Fragmentario,
Periódico de Poesía, El Cocodrilo Poeta,
Babel, Adhoc, Altiplano, Revista de la
UAEM, Zona Franca, Movimiento Actual,
Ventana Interior. |
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