....By simplicity, she means simplicity of form and execution, but also simplicity of expression which belies the density of cultural reference.  She also decided to avoid being classed as a ceramicist, with all the technical specialisation which this implies, paring down unnecessary technical acomplishment in order to communicate directly. Creating an inclusive, rather than exclusive gallery-culture art, she lets an audience into her world on several levels. Ross attempts to retain the spontainety of invention within a frame of reference which remains true in the meaning and intent of tradition and ritual. 

Iwan Bala,
Where Many Worlds Fit, Planet, Cardiff,  2005



l want to point out the use of the term axion is a cross between axis, axon and action. So a rite is the center, the culture's hub, and as we create new rites through Art, we axion favoring conscience. A ritual axion is revolutionary and evolutionary as it softly touches the Sacred and inherently lead us to action and connection. ER


2018 The Wall/El Muro. Con Chun Hua Catherine Dong. Museo de la Ciudad de Querétaro.
2016 Reclaiming the ground, Qufu, Wuhan and Beijing. NYC
Siembra, Roskill, NY
Wall of Kisses
at Chinatown Soup Gallery, NYC
2015 Lending the body, axion in the 1°  Feminists Arts Internacional Festival in Tepito,  México City.
2014 A ti. For Ayotzinapa and the dissappeared. Huber Art Platform, Estepona, Málaga, España
Reclaiming the ground, and a series of Ritual Axions in Teotihuacan, Tlatelolco and Claustro de Sor Juana, along with Christine Brault.
2013 Nos queremos vivas. 9 Encuentro Nacional Feminista, Guadalajara, Jalisco
Voy y Vengo
(from Transvase territorial, with Christine Brault),
México City
Voy y Vengo
(from Transvase territorial),  Madrid
2012 Nos queremos vivas. Hybrida Festival, Valencia
2011 Pasos, palabras. El Retiro, Madrid
I am an Outsider, Sapanka, Turkey
40,000 morts : ya basta, Bagnols-sur-Cèze
Muro de Besos, Espacio MenosUno, Campo La Cebada, Madrid, España
Un Mur de Baisers, Bagnols-sur-Céze, Francia
Made in Noble China, Bagnols-sur-Céze, Francia
2010 Bootlemail pour la Terre. Le Sauvan, France
Seeding. Sloeshtica, Macedonia
2009 Me moria. Playa San Lorenzo, Gijón, Asturias
2007 La muerte es mentira,  Buenos Aires, Argentina
Siembra. identidades.03 Galicia y Michoacán, Montevideo
Lebensbaum , Zihuatanejo, Guapamacátaro, Buenos Aires, Montevideo, New York
2006 Unter Rot YA BASTA! Top25, Kunstmeile Krems, Austria
We want them alive – Kunstmeile Krems, Austria
El árbol de la vida – Lebensbaum .  Alemania, Suiza, España, Irlanda
Ojo con el Parícutin. Volcán Paricutin, Mich
2005 Matria -2ª SELAI, Morelia, México
Siembra – Morelia, México
Me as an independent being – Coed Hills Rural Art Space, Wales
2004 Relatos de la Travesía: Tierra, Tierra Viva, campus de Ciudad Universitaria, Universidad Michoacana.
Notlallo: by body, my earth, Indiana University Kokomo Gallery, USA
Relatos de la Travesía: Agua: agua viva y agua nuestra. Centro Cultural Universitario, Morelia, Mich.
Mundos Posibles, Mujeres posibles, Suiza, Alemania, Holanda, España, Gales y París
2003 Relatos de la Travesía: Fuego. axión ritual urbana. Centro Histórico, Morelia MX
2002 Notlallo: by body, my earth, Instituto de México en San Antonio, Texas, USA
2001 Blanco Desnudo, Galería La Bola Santa, Morelia,MX
1999 Translated, The Other Gallery, Banff Centre for the Arts, Canadá.
En Manos de Diana/Notlallo, Museo de Arte Contemporáneo Alfredo Zalce. Morelia, Mich, MX
1998 Tres Cañas: la palabra, León de Mecenas, Morelia, MX