
....By simplicity, she means simplicity of form and execution, but also
simplicity of expression which belies the density of cultural reference.
She also decided to avoid being classed as a ceramicist, with all
the technical specialisation which this implies, paring down unnecessary
technical acomplishment in order to communicate directly. Creating
an inclusive, rather than exclusive gallery-culture art, she lets
an audience into her world on several levels. Ross attempts to retain
the spontainety of invention within a frame of reference which remains
true in the meaning and intent of tradition and ritual.
Iwan
Bala,
Where Many Worlds Fit, Planet, Cardiff, 2005
l want
to point out the use of the term axion is a
cross between axis, axon and action. So a rite
is the center, the culture's hub, and as we
create new rites through Art, we axion favoring
conscience. A ritual axion is revolutionary and
evolutionary as it softly touches the Sacred and
inherently lead us to action and connection. ER
back |
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2018 |
The
Wall/El Muro. Con Chun Hua
Catherine Dong. Museo de la Ciudad de
Querétaro. |
2016 |
Reclaiming the ground, Qufu,
Wuhan and Beijing. NYC
Siembra, Roskill, NY
Wall of Kisses at Chinatown Soup Gallery, NYC |
2015 |
Lending the body, axion in
the 1° Feminists Arts Internacional
Festival in Tepito, México City. |
2014 |
A ti.
For Ayotzinapa and the
dissappeared. Huber Art Platform,
Estepona, Málaga, España
Reclaiming the ground, and a
series of Ritual Axions in
Teotihuacan, Tlatelolco and Claustro de
Sor Juana, along with Christine Brault. |
2013 |
Nos queremos vivas. 9 Encuentro
Nacional Feminista, Guadalajara, Jalisco
Voy y Vengo (from
Transvase territorial, with Christine
Brault), México City
Voy y Vengo (from
Transvase territorial), Madrid |
2012 |
Nos queremos vivas.
Hybrida Festival, Valencia |
2011 |
Pasos, palabras. El
Retiro, Madrid
I am an Outsider, Sapanka,
Turkey
40,000 morts : ya basta,
Bagnols-sur-Cèze
Muro de Besos, Espacio
MenosUno, Campo La Cebada, Madrid,
España
Un Mur de Baisers, Bagnols-sur-Céze,
Francia
Made in Noble China,
Bagnols-sur-Céze, Francia |
2010 |
Bootlemail pour la Terre.
Le Sauvan, France
Seeding. Sloeshtica,
Macedonia |
2009 |
Me moria. Playa San
Lorenzo, Gijón, Asturias |
2007 |
La muerte es mentira, Buenos
Aires, Argentina
Siembra. identidades.03
Galicia y Michoacán, Montevideo
Lebensbaum , Zihuatanejo,
Guapamacátaro, Buenos Aires, Montevideo,
New York |
2006 |
Unter Rot YA BASTA! Top25,
Kunstmeile Krems, Austria
We want them alive –
Kunstmeile Krems, Austria
El árbol de la vida – Lebensbaum
. Alemania, Suiza, España, Irlanda
Ojo con el Parícutin.
Volcán Paricutin, Mich |
2005 |
Matria -2ª SELAI, Morelia,
México
Siembra – Morelia, México
Me as an independent being
– Coed Hills Rural Art Space, Wales |
2004 |
Relatos de la Travesía: Tierra,
Tierra Viva, campus de Ciudad
Universitaria, Universidad Michoacana.
Notlallo: by body, my earth,
Indiana University Kokomo Gallery, USA
Relatos de la Travesía: Agua: agua
viva y agua nuestra. Centro
Cultural Universitario, Morelia, Mich.
Mundos Posibles, Mujeres posibles,
Suiza, Alemania, Holanda, España, Gales
y París |
2003 |
Relatos de la Travesía: Fuego.
axión ritual urbana. Centro Histórico,
Morelia MX |
2002 |
Notlallo: by body, my earth,
Instituto de México en San Antonio,
Texas, USA |
2001 |
Blanco Desnudo, Galería La
Bola Santa, Morelia,MX |
1999 |
Translated, The Other
Gallery, Banff Centre for the Arts,
Canadá.
En Manos de Diana/Notlallo,
Museo de Arte Contemporáneo Alfredo
Zalce. Morelia, Mich, MX |
1998 |
Tres Cañas: la palabra,
León de Mecenas, Morelia, MX |
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